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If you see me on a shoot these days, you will notice I have a little black piece of plastic hanging from a lanyard around my neck. This recent release on the market place is one which I would now never be without, the X-Rite Colour Checker Passport, which opens up to reveal a series of colour charts and white balance tools.

These charts are used by the devices software (Mac or PC) to create a colour profile specific to your very own camera. If you use Adobe Photoshop Lightroom or Adobe Camera Raw for Photoshop when converting your Raw files, you have the choice of using either the standard Adobe Standard colour profile, or a generic profile they have created for your make and model of camera. But every camera is different, and the colour profiles they give you are not exactly accurate.

The Colour Checker Passport is quick to use, you  can create a generic profile to use in any shot, or create a specific profile for a specific shoot, optimised for the given lighting conditions.

Simply take a photo containing the colour chart, then load it into the software (or use the export plugin for Lightroom) and the software will look at the photo, automatically locate the chart, and crunch the numbers to create a colour profile ensuring the colour values of each chip on the chart are correct. Then you apply that colour profile to the rest of the photos from that shoot.  Too easy!

Here is the chart, with the Adobe Standard profile applied.

Now lets have a look at the profile for the Canon 5D MkII as supplied by Adobe. This is the “Camera Standard” profile.

And here we go with the custom profile.

As you can see, there are a few differences in the colours. The actual chart it uses for the profile is in the bottom half of the card. The top gives a grey scale, the basic colours that you can adjust in ACR or Lightroom and the middle two rows are for sampling for white balance, giving neutral white balancing, as well as options to warm or cool the image.

So how does it work in the real world?

Check out these pics, the first of each pair is with Adobe Camera Standard profile, and the second is with the custom colour profile created specifically for the job. I am sure you will agree the work in making the colour profile is well worth it.

The difference is subtle, but still makes a big difference. Of course, the photos will look best if you are viewing them on a properly calibrated monitor. Colours look more natural and consistent, and provide a better base from which to do more creative stuff with the photos like film effects and the like when required.

All client shoots with Nigel Honey Photos are now properly colour profiled with the X-Rite Colour Checker Passport at no extra charge.

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Circular Polarizer Filters

Posted on 6, Feb

In this modern age of digital photography, lens filters are often regarded as redundant, because many of the special effects can be replicated in post processing with software like photoshop. Traditionally we would use an ND Gradient filter to darken a sky, and allow us proper exposure of the ground. Now it is a piece of cake to blend two exposures, one for the sky, one for the ground, into one photo. The biggest drawback for the ND Grad filter is that unless you are shooting over flat ground, or the ocean, you will darken your hills, trees, buildings, or whatever. With photoshop this is easily avoided. ND Grads are still a far better option if you want to do long exposures though.

Filters that provide a tint, well thats easy too.

Digital cameras are not sensitive to UV light so a UV filter does nothing, but they do provide cheap protection for your lens’s front element.  Better to damage a cheap filter than your lens.

But one filter that really can not be replicated is the Polarizer filter. If your camera is an auto focus one, you will need a Circular Polarizer or else the AF will not work.  Most commonly they are a screw on filter. The filter screws onto the lens and then can spin, so you can adjust the angle of the polarization against the sunlight. If the filter is 90 degrees off it will have no polarization effect (though it will still knock about 1.5 stops of light out, which can also be handy). When you turn the filter around you will see the magic happen.

When using the filter, you just turn it until it looks good. Note it will really work best in bright sunlight or with a direct light source, it has less effect on a cloudy day.

Firstly the filter will reduce haze, increase contrast and the saturation of colours. Greens of trees will be enhanced, and it will really bring up and darken the blue of the sky, which can often appear pale and washed out. Compare these two photos…

This shot has EXACTLY the same shutter speed, aperture, ISO, focal length, white balance and colour profile setting, but the polarizer was turned around to effect…

But wait, theres more. As well as enhancing colour, the Circular Polarizer will also help get rid of or reduce reflections from non metallic objects. It will get rid of glare and reflections from water, windows, and its even good at getting rid of reflections in the paintwork of cars, though since they have complex shapes you may need to blend multiple exposures with different polarizer settings to get a great effect.

Check out these quick demo shots I took some time ago in Liverpool St, Hobart. Excuse the ordinary pictures, they are just snaps to be used for example…

Firstly without polarization..

And with…

Now THAT is something you simply can not do in Photoshop.

I also use the Circular Polarizer Filter a lot when shooting motorsport, as it allows me to slow down my shutter speed a bit to get a better motion blur in the background when panning, and you can also tweak the polarization to remove the glare from the car windows, so you can see inside the car, and of course the driver.

Circular Polarizers are expensive. Very expensive. My 82mm filter for my ultra wide angle lens nearly required the sale of some internal organs, but they are a very worthwhile investment, and really are an essential part of anyones gear bag if into landscape, architectural, or automotive photography.

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I love my plastic “toy” cameras, I am slowly building a collection of them, the latest being a Lomography Diana F+ Edelweiss Edition.

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Podcasting!

Posted on 11, Feb

iphoneozphotowrap

Last night I joined the panel on episode 4 of the OzPhotoWrap podcast, grab it here in iTunes if you want to have a listen.

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5D MkII Unboxing Photos

Posted on 3, Dec

After much waiting, the Canon EOS 5D MkII is finally available! I had been on the waiting list for a fair while and today my new baby finally arrived. Of course, the delivery guy came in the driveway JUST as I started to steam the milk for my coffee, but that was a sacrifice I was willing to make.

Anyhow, I ran upstairs to grab the camera so I could get some unboxing photos. Why? Because I am a nerd, OK?? :)

5D MkII Unboxing - The Box

5D MkII Unboxing - The Box

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